Using Distress Inks |
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Calv from the forum has written a guide on using Distress
Inks. Check out his
blog for more of his ideas and
creations. |
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Ink
Pads
The most common ones used (maybe the only ones in fact), are the Tim Holtz Ranger Distress Ink pads. These are acid-free, non-toxic, fade resistant, water-based dye inks. Ideal for many projects and can give a great "aged" look to a project. There are 24 colours in this particular range. These have so many uses, people even forget sometimes that you can use them for stamping, but this is about blending so I'll move on. Remember though, waterbased also means they can be affected by water. Sorry if that sounds obvious, but when I said you could use them for stamping, they will not be as permanent as solvent based archival inks and the likes. If at all possible, see the ink pads in person if it is your first time choosing colours. Maybe someone can show or send you samples of how the colour looks on card before you choose and buy. This reduces the risk of you spending out on colours that you are not too keen on once you start using them. Another thing, don't just take the lid off in the shop and go by the colour of the ink pad. Often the pad looks different than the colour it produces. There are a few other hints and tips on other type of ink pads here. |
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Tools
for applying the ink.
For the best results, I find it better to use the proper tools for the job. These can however be improvised upon if you do not have the tools available. (I'll talk about that later). Firstly, you will need an applicator tool and blending foam..... notice I said "blending foam". There are also "blending felt pads", however the felt pads are used more for alcohol inks, for the technique I am describing, you need the foam pads. These pads are foam on one side, velcro on the other. They just stick nicely to the velcro on the underside of the applicator tool. Easy as that! Remember, do not throw away the pad once it has been used, as long as you use it for the same colour, it can be used again and again until it gets worn. As far as tools are concerned, that's all you need to blend distress inks. A few of the forum members write the colour on the back of the foam. Right then....cardstock/paper. As far as I am aware, it does not make too much difference whether you do this technique onto cardstock or paper. I've used the ink on many different weights of card/paper and it works fine on all so far. |
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To apply the distress ink, dab your foam pad into your ink
pad. With practice, you will get to know what is too much or too little. Some
colours are stronger than others, in which case you may want to dab the freshly
inked foam pad onto a scrap piece of card to get rid of some of the ink.
Remember, you can always add more, but to remove a thick wet amount of ink is a
lot harder.
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You can see from the pictures, my ink starts off of the card and continues to wherever I want to blend up to. You do not have to start quite so far off the card, I've just done this so it's easy for you to see. So off you go, keep stroking your foam pad towards the card, take it off once you're on the card and then return to the start point off the card. Hold the card with your other hand to keep it still. I find it better to place the holding fingers close to where I am blending, as this stops the tag creasing from the pressure of the pad when you stroke over it. For an excellent demonstration of how this technique is done, I would suggest watching a very talented guy called Dan make this tag on his blog....the video not only shows you blending, but how to use masking with the inks too. A very helpful tutorial indeed. |
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Here is an example of a very basic tag I did for the purpose
of this guide. The photo shows where I have used four colours, red, blue, green
and yellow. I have purposely left the ink marks on the outside of the tag to
show you the direction I blended.
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*Note, the "red ink" on the tag is a good example of where I had a little too
much on the foam pad. It has not blended so well with the yellow to the left of
it.
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If you like, you can add another effect by either spraying the tag with water
using a mister for an even mottled look, or flick drops of water for a random
and more obvious effect.
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Other variations of tools and techniques For those who do not have the applicator tool and blending foam pad, another
option is to use your chalking tool and some Ranger cut 'n' dry foam which you
can buy in A4 sheets. Cut a small square and grip it between the teeth of
the crocodile clip. This is not quite as good as the proper applicator as
it is not as firm and has a smaller surface area. You can also use this method
for more detailed blending.
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Foam storage chest
tutorial |
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© CraftsbyCarolyn Nov 2008